The title Story Alchemy isn't a metaphor. It's the real deal. Ideas for stories, the prima materia of the story alchemist, are gifts. They are provocations from the unconscious, lures. The unconscious lies in wait, stalking you with a story aimed directly at your heart. Even when you get an idea from the outside world, it has resonated with something locked away inside your Unconscious. A story has its own ego. It wants to be told. Once the idea has come to you, and it comes of its own volition, you must consciously establish contact with the psychic energy that contains the story. It takes a collaboration between Consciousness and the Unconscious to bring the words across. We know certain things about stories that will aid us in the telling. Story is a particular form of psychic energy to which details cling, a unity of psychic energy. That energy has the same shape, the same form, but the details are different, so different that we hardly recognize the form from one story to another. Cinderella is such a story that has been told many times under different guises throughout the centuries. You must find your stories, those meant for you alone. To tell them, your awareness must cross the psychic threshold, the Iris of Time, and enter the Imaginarium. Story Alchemy unveils the alchemical processes involved in that divine art, the Philosopher's Stone of storytelling.

Teenage Alexandra Eidyn had no suspicion that her annual trip to Grandmother's house to spend the summer would this time destroy her plans to attend Oxford University in the fall and instead propel her into the World of Vampires and eventually to the gates of Heaven and Hell. On the way, she'd fall in love - something she'd come to think wasn't even possible for her - with two people, become a fugitive from justice, and be a casualty of the Church to which she'd turned for help. She falls into a vampire society she never knew existed but that has been waiting for her the last ninety years, and learns that the Divine World has prophesied of her coming for millennia. All this following her grandmother's revelation of a family connection to royalty that has been kept secret for generations.

The Escape of Bobby Ray Hammer is a second generation "Grapes of Wrath" novel in that Bobby's parents migrated to California during the 1930s, the "Dust Bowl" days. Bobby is just entering his senior year in high school and eager to graduate and go on to college to get out of his rural farming community; however, he realizes that he must resolve family problems that originated, he believes, with the death of his older brother before he can fulfill his dream. Little does he realize the trail of misery he will cause as he uncovers the family secrets that led to his brother's death.

In 480 BC, fifteen-year-old Melaina's biggest worry, she thinks, is wishing to follow Artemis and remain virgin when her mother and grandfather want her to marry and became a priestess. But when the Persians invade, the gods themselves have plans for Melaina, including carrying a divine child and divining for the Greek fleet in a battle to determine the salvation or ruin of all Greece.

The Mysteries, A Novel of Ancient Eleusis is a trilogy set in ancient Greece at the time of the Persian invasion. Historians constantly remind us that in 480 BC, when the great Persian Empire invaded Greece, King Xerxes planned to expand his dominion to the Atlantic Ocean, and if Greece hadn't repulsed the invasion, Western Civilization, together with its democratic institutions, would not exist. Today we would be Oriental. Much has been written about the invasion, but little concerning heroic women. According to Herodotus, feminine influence in the form of the goddess Demeter was a deciding factor in the famous battles of Salamis, Plataea, and Mykale. Thus, the female spirit played an unheralded role in the salvation of democracy. The Dadouchos Volume 2 of The Mysteries, concerns this feminine influence as personified by the priestess of Demeter and her daughter. They represent the essence of the great Mysteries of Eleusis, the spiritual underpinning of the ancient Greek religion.

Why study German literature in an age when national identity is being eroded by a cosmopolitan, multinational culture? The authors provide diverse answers but all agree that modern German literature has been generated by a culture which has undergone extraordinary historical experiences, the effects of which are still with us.

Modernism-Dada-Postmodernism collects, updates, integrates and contextualizes the critic Richard Sheppard's essays on the historical avant-garde. Sheppard's topic in all of these essays is the modernist writers', artists', and philosophers' linguistic and visual responses to a changed sense of reality and human nature. Beginning with an overview of the problematics of European modernism, Sheppard establishes the dialectical relationship between the cultural crisis that occurred during the period 1880-1936 and the different responses from European modernists and the avant-garde. With its combination of classic and new essays and its perspective on the theoretical avant-garde/modernism debate in the United States, Sheppard's volume should give the specialist as well as the general reader an insight into the highest sample of European scholarly discourse on this subject.